Blindness and Disability, Music, Pop Culture, Science, TV, Writing

INVISIBLE VIOLETS is Available for Pre-Order!

The title says it all.

Cover image of Invisible Violets: A Mixtape in Lyric Essays by Chrys Buckley. Words are green against a textured background of different shades of purple. Near the top of the cover, there is an author blurb that reads, "A fierce manifesto about claiming your own story. This book will change you and linger long after the final page." This blurb was written by Tarn Wilson, author of In Praise of Inadequate Gifts.
Cover of Invisible Violets: A Mixtape in Lyric Essays by Chrys Buckley

This whole thing about a book of mine getting publishing still feels so surreal, and yet here’s one more step in the book publishing process that makes it more concrete. My book is up on all the sites, available for pre-order.

This collection of personal lyric essays took eons to write, and eons to edit. It went through so many iterations, and I plan to talk through and demystify the steps of the process on here in time.

For now, just know that I’m so proud of this book and each essay within. There is darkness in these essay-songs, but writing was always a joy. Even when it made me cry, which was almost always, because I’m a sap like that. I can’t wait for you to read this collection on MARCH 13th, 2026!

I’m also starting an email newsletter that you can sign up for here for all the authorly updates!

Links to pre-order INVISIBLE VIOLETS: A Mixtape in Lyric Essays

Bookshop.org

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Portland and Pacific Northwest Bookstores

Other Booksellers

Blindness and Disability, My Books, Writing

If You Have a Disability . . . You Might Like INVISIBLE VIOLETS

array of accessibility icons, including wheelchairs, canes, guide dogs, pregnant people, and question marks for less apparent disabilities

Or if you are disabled.

Or if you’re a person with a disability.

Or if you are living with disability.

Or if you experience disability.

Or if you have lived experience of maybe sometimes possibly experiencing this thing in your life that we all must put lots of words in front of to make it as distant as possible that we maybe sometimes possibly in whispered voices refer to as disability.

Okay, I’m obviously getting a bit over the top with that last one (though it does sometimes feel that way). My point, though, is that no matter what language you use, you are welcome here and you might find resonance in my upcoming debut essay collection, INVISIBLE VIOLETS: A Mixtape in Lyric Essays.

I’ve been thinking a lot lately about who my book is for. It’s going to publish in two months, and so my thinking has had to shift more outward now that all the proofing is done and it’s on its way out into the world. (Yay! And eeeeeeeek!)

The most prominent theme running through my book is disability. So, if you are a disabled reader (or any other particular phrasing that feels right to you), this book is for you.

Even though we all experience disability differently (even if we have the same disability), I hope my words will give you that “oh yes” and “she gets me” sense while reading, a sense I’ve experienced while reading authors who have disability in common with me.

I hope my words will give voice to internal and external dynamics in a way that articulates the specific struggles and joys of disabled life in a way that makes you feel seen and understood, as other books have done for me.

I hope reading my book lights a fire under the part of you that wants to write your own story, if you’re so inclined, because there are so few books about disability by disabled people out there and there’s room for so many more, and we need more.

Not every essay in my collection has disability as its central topic. Sometimes it’s a central theme, and other times it isn’t. Because that reflects reality. Sometimes it’s all-consuming, and other times it’s more like background noise.

Disability as a theme is most prominent in these essays:
Track 1: Invisible Violet: On Seeing and Not Seeing
Track 3: The Caduceus and the Muse
Track 5: Can’t Change Me: An Unnatural History of My Names
Track 6: Reasonable Doubt

Disability is present but more peripheral in these essays:
Track 2: Blue Alchemy
Track 4: August is a Burnt Burgundy-Violet Haze

Our experiences won’t be exactly the same. They might even be wildly different. Either way, I hope there are lines and paragraphs and passages and perhaps whole essays that harmonize with your experience and give you that sense of recognition that sometimes comes with reading.

Cover image of Invisible Violets: A Mixtape in Lyric Essays by Chrys Buckley. Words are green against a textured background of different shades of purple. Near the top of the cover, there is an author blurb that reads, "A fierce manifesto about claiming your own story. This book will change you and linger long after the final page." This blurb was written by Tarn Wilson, author of In Praise of Inadequate Gifts.

~~~

For all the book details, check out the INVISIBLE VIOLETS page!

~Chrys

Image Description: an array of accessibility icons depicting people in wheelchairs, people using canes, people with guide dogs, pregnant people, people with small children, and some questions marks (which I believe represent less apparent disabilities).

Reading and Book Reviews

Favorite Literary Fiction – My Year in Books 2025

As promised in this Year in Books 2025 overview post, I’ll be going into a bit more detail on each of my favorite reads of 2025 on Sundays. For the first installment, I give you my favorite lit fic novel that I read in 2025.

And the winner is…

The Great Believers by Rebecca Makkai

cover of The Great Believers by Rebecca Makkai

This book was recommended to me by my instructor for my final book design course. Throughout the term, I’d gotten to know that our tastes were pretty similar in that we both loved Tana French and Liz Moore’s The God of the Woods. So I was already tuned to Elaine’s recommendations. Plus, I’d already read one of Rebecca Makkai’s books, I Have Some Questions For You, and loved it. So I put a library hold on The Great Believers.

The library hold came through right as my spring term was ending, and after a slow start from post-term exhaustion, I devoured this book in two days. I couldn’t put it down. There are two parallel timelines and two main characters: Yale in the mid-1980s and Fiona thirty years later. Both timelines explore the impact of the AIDS epidemic on one close-knit group of friends and their families. Oh, and there’s really cool art shit in there, too. The interweaving of so many different threads is done in a way that feels both cohesive and seamless.

In my particular circles, I would highly recommend this book to narrative medicine folks for the illness aspect and how humanly it’s portrayed. That’s what sets this book apart: how real the characters feel, full and alive and struggling and flawed, complex and messy. I loved living in their world, even when it was heartbreaking.

~Chrys

Music, My Books, Writing

How Did It Get So Late?

When I think about INVISIBLE VIOLETS, my book that’s releasing on March 13 (9 weeks from today!), it mostly fills me with joy and pride. I still tear up with feelings of, I can’t believe this is really happening, OMGGGGG!

Mixed in with all that joy and pride and omfg, though, is sorrow. It feels important to talk about that too. Some of the sorrows are too big to go into on here. One of them I may write about eventually but am not ready for yet because it’s something I learned about very recently. For now, I’m going to stick to the survivable sorrows.

Here is one of them: I’m sad in a bone deep way that my first book is coming out so long after Chris Cornell is gone. I’m sad that my book is dedicated to his memory and not to him as a still living person in the world.

Many years ago, I wrote my first full-length memoir manuscript. It’s known around these parts (this site) as Moonchild (named after one of Chris’s songs). I was always going to dedicate to Chris Cornell because it chronicled the year that his first solo album, Euphoria Morning, had a profound impact on my life. I was thinking about that back in maybe 2007, give or take a year or so, when he was alive and well and making music.

I wanted to put it out there, in the world, in concrete words in a book, how much his music had meant to me. I hoped he’d read it someday and feel good that his art had had such a profound impact on someone. Lots of someones.

But then I put writing on the back burner for all sorts of reasons for a really long time, and Chris died in 2017 and now my first book, a different book, is dedicated to his ghost.

On Christmas, I found myself thinking all sorts of sad thoughts about time and regret and how I know it wouldn’t have changed anything if Chris had read a book of mine dedicated to him back in the day but still I wish I’d had a way to convey the magnitude of his art’s impact on me (and on so many other people).

What if I hadn’t put my writing on the back burner for all those years? What if I’d gotten my shit together so much sooner? What if I hadn’t thought there would always be time, always be later, until there wasn’t?

The funny thing is, all the essays in my upcoming collection are from the back burner years. And Moonchild, if I ever do anything with it, will now be dedicated to someone else, someone who was a very important and good friend to me during the year the book focuses on, someone who died in 2023.

Things always change, and mostly I’m at peace with that, but sometimes there are sorrows that need to be spoken. For me, having a book launching soon is bringing up some of those sorrows. I think that’s okay. Grief is weird and nonlinear and yeah, I’ve found myself unspeakably sad lately about a rock star death that happened almost nine years ago.

It doesn’t help with the sadness that I’ve been working on a book playlist and listening to so much Chris Cornell, solo and in all of his bands.

The title of this post comes from the song “Disappearing Act” on Chris’s second solo record, Carry On, and here I give you the music video:

Disappearing Act Video on YouTube

Chrys

Image Description: Picture of Chris Cornell

Pop Culture, Reading and Book Reviews

My Year in Books 2025

This hasn’t been a banner year for me in number of books read. Grad school will do that. So will managing two departments of a press. So will having your own book in the works—I’m pretty sure I reread my book 9 times this summer for editing purposes. So will the state of the world.

I didn’t read as many books as I typically would. But, in all the chaos (internal and external) and busyness, I did read some excellent books. It was a banner year for quality, so I thought I would highlight some favorites.

My original intention was to post about books as I was reading them. I had that “I want to tell everyone in the world about how great this book is!” feeling, but then the list of books I wanted to post about but hadn’t found time for grew and grew. My next intention was to get a big Best Of list together by the end of 2025…and that obviously didn’t happen either.

So, time for a next next intention. I’m announcing it so I have to do it, this thing I’ve been wanting to do for months now. I still really want to share and exalt the great books I read and tell as many people as possible why I think they’ll love these books.

Over the next several weeks, on Sundays, I will post about my favorite 2025 books by category—completely made up by me—and write up about book in the gallery at the top of this post. I want to give each book its due, and share my excitement for each one.

In all cases except for one, these are books that I read in 2025, regardless of when they were published. Some of the books came out this year, and some definitely didn’t.

The order that book covers appear in the gallery at the top is randomized so that I wouldn’t play favorites with my favorites.

See you next Sunday!

Chrys

P.S. I also read some great manuscripts last year in my role at Ooligan Press and in independent editing work, books that are on their way to being out in the world but aren’t yet. Maybe that will be the next post series after this one because there are some incredible books in the pipeline that I think you’re going to want to know about.

Image Description: A gallery of book covers displayed in a 6×2 grid in randomized order: Fifteen Wild Decembers by Karen Powell, The Great Believers by Rebecca Makkai, Who Killed One the Gun? by Gigi Little, Blazing Eye Sees All by Leah Sottile, Imagine a Door by Laura Stanfill, Reading the Waves by Lidia Yuknavitch, Cekpa by Leah Altman, Where We Call Home by Josephine Woolington, Catch and Kill by Ronan Farrow, The Winter Sister by Megan Collins, The Likeness by Tana French, and The Love of My Afer Life by Kristy Greenwood.

Education, My Books, Writing

Putting My Game Face ON

Goodbye, 2025. Hello there, 2026. New year, new me. All that jazz.

a person covered by post-it notes

It’s a wildly intense time in my life, and on Monday I go back to grad school for winter term. I’m gearing up for a doozy of a course load. And oh yeah, I also have a book coming out ten weeks from today. So there’s that, too.

Yesterday, I did a lot of my calendaring for the term, made a weekly template of when I’ll do work for which class, when I’ll fit in book promotion work, when I’ll work on ebooks and audiobooks for my manager roles at Ooligan Press, when I’ll shower, when I’ll check my email, when I’ll pee. Okay, that last one, and only that last one, was a joke. I’m scheduled to the hilt is the deal.

Every term for the last several, I’ve made a mega Master Plan google doc that lists every due date, every reading assignment, every discussion post due in Canvas, every project, every paper. Some of it’s very granular, like preparing for two weekly Ooligan meetings each week, teaching a department lesson at Ooligan every week, and recurring reflection assignments for classes. Others are big projects.

This document is in a grid, so that on the left are the weeks of the term, and across the top are the classes. It’s not a spreadsheet, but it’s close, with everything in checkable boxes to cross off when they’re completed. You can take the type A planner med student out of medical school, but you can’t take those organization instincts out of the former med student, I suppose.

While creating this Master Plan of Winter Term Domination, I had two thoughts swirling through my mind over and over.

Continue reading “Putting My Game Face ON”
Blindness and Disability, Music, Writing

COVER REVEAL!

The time is here. After rounds of editing, eproofs, print proofs, and another round of proofs, the book is locked in.

I spent all summer going over my book for what felt like a bajillion times. In fact, if I had to read any of it right now, I’d probably run away screaming because I’m SO SICK OF MY BOOK! Good thing there’s a fair amount of time until launch day (March 13th) so it can feel fresh again by then.

In the meantime, now that it’s all locked in, here is the cover:

Cover image of Invisible Violets: A Mixtape in Lyric Essays by Chrys Buckley. Words are green against a textured background of different shades of purple. Near the top of the cover, there is an author blurb that reads, "A fierce manifesto about claiming your own story. This book will change you and linger long after the final page." This blurb was written by Tarn Wilson, author of In Praise of Inadequate Gifts.

It’s a typographic cover rather than an image-based one. One thing I’ve learned through this process and my work at Ooligan Press is that covers often look duller in print, and a lot darker. So stay tuned for future reveals. The back cover will be coming soon, and so will an unboxing video when the author copies arrive!

~Chrys

Writing

Predictable Post-Term Energy Curves

A red saucer chair surrounded by bookshelves

A little over a week ago, I finished my second (of three) year in my grad program in Book Publishing. As with so many things, it went by both quickly and slowly.

It was often a frenzy. Especially this past spring term. I can say definitively it was the most intense term I ever experienced. And yes, that includes med school. I’m sure I’ll get more into the details of the term before too long on here, but now, in the more immediate aftermath, just thinking about it makes me too tired to function.

Since the term ended, I’ve gone through some swings in energy. And I’m remembering and realizing that it’s almost always this same pattern. The terms and the workloads may change, but this after-pattern is pretty constant.

I wonder, does anyone else have this same pattern too?

Continue reading “Predictable Post-Term Energy Curves”
Blindness and Disability, Music, Pop Culture, Science, Writing

Catching Up with Chrys – a Time-Lapse in Taylor Swift Songs

Before my last spate of posts about my publishing journey (on the submission, the award, and the call), it had been over four years since I updated this site. Last I left off, it was the fall of 2020, and I had decided to leave medical school.

A lot has changed since then, so I thought it was high time to catch you all up, bring some continuity to this site, and fill in the plot holes. Anyone who knows me or has read this site before will be unsurprised I’m doing it through songs.

Here we go.

time lapse still of a road going into hills
Continue reading “Catching Up with Chrys – a Time-Lapse in Taylor Swift Songs”
Music, Writing

The Call

In light of the amazing publishing news I posted last month, I want to post about different parts of the process. Mostly, that’ll entail looking back at how I got my manuscript ready for submission, but today I want to talk about the call. It’s important to me to be as transparent as possible, especially for other writers reading this.

I was home sick from work. A bug had been rampaging through my grad program, and it was my turn. So I’d gone to bed early the night before. This was a good thing, because when I woke up, I had an email from Jill McCabe Johnson, the publisher at Wandering Aengus Press, sent the night before, asking if we could find a time for a call so she could ask me something.

After running through about fifty-three thousand possibilities, I settled on suspecting what she wanted to discuss would be something like, “We’d like to publish your book, but…” I couldn’t imagine she wanted to call me just to reject me–I remembered how when I was applying to medical school, a call meant you were getting in, and if they wanted to reject you they’d do it with an email or a notification posted in their online portal–and the need to ask me something wouldn’t likely apply to a straight-up acceptance.

Mostly, I was shocked that they could have an answer for me so quickly. I’d expected to wait until April, at least.

Continue reading “The Call”