Music, Samples, Writing

All of Our Rubbish Dreams

hsbguitarplayingSome moments are crystallized in memory, even if they are ordinary.

I remember one early evening in the springtime of ninth grade, I was sitting on the arm of the couch, which Mom hated, and wearing my Hole t-shirt with the heart logo, probably the band I loved that Mom hated most, and she stood by the stove getting ready for dinner. I was watching MTV–this is when they still played videos all the time–and singing along. Low spring light came in from the window near the TV and left big fans of light on the rug that stretched all the way to the kitchen where Mom stirred frozen vegetables in a pan.

“So, Chrys,” she said, and I could tell by the way she wasn’t turning towards me, the way she was trying too hard to sound like a thought just occurred to her, that whatever was coming, she’d worked herself up to it. But I didn’t move my gaze from the TV. “What do you want to be when you’re older?”

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Writing

My Essay is Being Considered at Creative Nonfiction!

CNFindexThis morning, I made some oatmeal and some jasmine tea, and played around on the internet some. Then I got an email from Creative Nonfiction, an awesome magazine that comes out 4 times a year and often features a theme for the issue. The theme I submitted to? “Mistakes.”

At first it looked like the typical email. Thank you for submitting your work to us. We received over 800 submissions, you get the point. I only have one piece of writing that’s still out there, waiting for a response, and when I saw this email and read the first few lines, I thought, here it is, another email rejection letter. I almost expected it. The piece I submitted to this particular contest was experimental, with an unusual structure. And I hadn’t had a ton of time to write it.

But then I kept reading. And the email said that about 10% of the original submissions for the contest were still being considered, and mine was among them!

OMG! WOW! Wait, what?!

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Music, Samples, Writing

When You’re Eighteen with Crippling Writers Block, Music Can Set You Free

EMindexInstead of sitting down to absorb the album, I let it trickle in, play it over and over while I read my astronomy textbook, when I doodle in my journal hoping to come up with story ideas for my creative writing class, when I’m on the phone, when I’m reading books and when Jillian comes over to chill.

One night I sit on my inflatable chair writing away in my journal with half my mind on the page and half with the music. As I try to think up story ideas, a song called “Moonchild” starts, launching me into the ether in its intro. Something about the words, the singing, though I don’t know it by heart yet, makes me feel at all like my old vibrant self, or at least its shadow. By the time I get to the bridge, the song stops me in my tracks, using my foot absentmindedly against my bed to rock my chair. I have the seed of a story idea.

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Samples, Writing

When You’re Eighteen with Crippling Writer’s Block and Rehashing Old Relationships

writers-block21I try to have crushes, because it’s one thing I’ve always done without much prompting, and if my most recent breakup shut me down, then what better than infatuation to open me back up. I don’t care if I get burned. In fact it might be better that way.

I rehash all the things I told myself when Nick and I started going out. I thought then that I was enlightened, that all my previous pain was acceptable because it helped me get to that precious present moment. Nick was very practical. When I had problems with my parents—which I wasn’t supposed to have because I was enlightened, but which I did, because I always did, and because I was a teenager and they still treated me like I was twelve—we approached it in very rational, spiritually advanced ways. I wasn’t supposed to get mad, or let it bother me much or dare dwell on it, Nick kept reminding me.

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Samples, Writing

Icebreakers

whirlwind-passion-neil-shapiroMy friends and I hang out in Stacy’s room and read from a questions book meant to give interesting topics to discuss at parties, to get to know other people better than those icebreaker games during orientation.

“Okay,” I say, flipping through the book. “Would you rather live a life that’s simple, safe and secure or one full of adventure and passion, with high highs and low lows?”

“I’d vote for the latter,” says Jillian.

“I don’t know that there’s a such thing as a simple and secure life,” says John. “I mean I think they’re getting at the whole like, house with kids and a dog, but I think that’s a pretty unsafe, insecure, exciting life too. Anything could happen even in that situation.”

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Blindness and Disability, Samples, Writing

Crabby Girl

crabindexOne night in early September, there’s a crab feast in the cafeteria for dinner. Everyone’s so excited, especially the students from Maryland. I’ve never had crab before. John, sitting next to me, demonstrates for all of us. He whacks his crab a few times with a mallot, and then pulls the crab apart. I watch closely but can’t see how he knows what’s the meat and what’s pieces of bone or innards. It looks like brain surgery.

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Writing

Why You Should Write a Totally Horrible Shitty First Novel

91329-87574When I was a junior in high school, I wrote a totally horrible shitty first novel. It was called Affinity for Darkness, and you can read it here because when I was in my early thirties, I posted this totally horrible shitty first novel in public.

It was supposed to have something to do with humility and something to do with toughening up, posting this hot mess of a novel. It was supposed to be an exercise in posting something that I knew was really bad so that I’d feel less self-conscious about posting the work that I hope is passably good. I don’t know how well that worked, especially because I hemmed and hawed and cringed and winced every time I was going to hit “publish” on another post of another chapter of this shitty first novel.

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Samples, Writing

Writers at Sunset on the Eve of College

marylandsunsetindexWe go back to the outdoor school for dinner, then they drive us all to the beach for the evening. I hang out on a towel on the sand and watch a fiery, cloud-filled sunset with Jen and Christina, two writers who live in a dorm by the Lit House. The Lit House is a special building on campus for all the English majors to have meetings, workshops and readings. Most of our Sophie Kerr weekend events took place there.

“Are either of you taking the freshman creative writing class?” I ask.

“I am,“ says Christina. She has long straight dark blond hair, and wears a beanie. She’s small, one of those small people like my mother who carries a big voice.

“Cool,” I say, flexing my toes and watching a cloud fill with red like a pen burst inside it. “Me too.”

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Writing

After the Ecstasy of the Writers Conference Comes the Difficulty of Doing the Work

angry-writerOn Sunday, I came home from the AWP Writers Conference, full of inspiration and ideas and lots and lots of insights on how to fix my old memoir manuscript, Moonchild, which has languished, untouched, for about six years.

I wanted to get right to work, and I knew part of the job would be to integrate the oldest version I had with the most recent. The oldest had all the raw material that I mostly wrote by hand from 2003 to 2005. I transcribed in onto the computer and when that task was daunting, hired someone to help with the transcription. The newest version, from sometime in 2008 had been through years of editing and was more polished and tightly written. I printed out the first chapter of each and started to read.

I got about three pages into one version, if that, and I realized, holy shit, this is going to be a nightmare to deal with. No wonder I haven’t looked at this mess in six years!

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Writing

A Lollapalooza for Writers – What I Learned at AWP in Seattle

seattleawpimagesI just got home from AWP in Seattle. For those who haven’t heard of it, AWP is this massively huge swarm of writers that descends on a different city each year. This year, AWP took over the Washington State Convention Center, an Annex and the Seattle Sheraton. Someone told me that the total number of people registered was 14,000. Unless you count music festivals like Lollapalooza and Coachella, I’ve never been around that many people in such a concentrated space.

There are oodles of writing-related panels. In fact, for every time slot, there are, oh, I don’t know, twenty or more different offerings. And then there are outside events, readings, contest winner announcements, drinking with some vague literary theme in mind, and then more panels. There’s also a bookfair, which is huge. This one was split into two separate rooms, that’s how huge it was. Booths everywhere. Books everywhere. Writers milling around booths and looking at books everywhere.

I was a total AWP virgin, open to all kinds of impression and experience.

So, here are some things I learned over the last three days:

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