Music, My Books, Writing

How Did It Get So Late?

When I think about INVISIBLE VIOLETS, my book that’s releasing on March 13 (9 weeks from today!), it mostly fills me with joy and pride. I still tear up with feelings of, I can’t believe this is really happening, OMGGGGG!

Mixed in with all that joy and pride and omfg, though, is sorrow. It feels important to talk about that too. Some of the sorrows are too big to go into on here. One of them I may write about eventually but am not ready for yet because it’s something I learned about very recently. For now, I’m going to stick to the survivable sorrows.

Here is one of them: I’m sad in a bone deep way that my first book is coming out so long after Chris Cornell is gone. I’m sad that my book is dedicated to his memory and not to him as a still living person in the world.

Many years ago, I wrote my first full-length memoir manuscript. It’s known around these parts (this site) as Moonchild (named after one of Chris’s songs). I was always going to dedicate to Chris Cornell because it chronicled the year that his first solo album, Euphoria Morning, had a profound impact on my life. I was thinking about that back in maybe 2007, give or take a year or so, when he was alive and well and making music.

I wanted to put it out there, in the world, in concrete words in a book, how much his music had meant to me. I hoped he’d read it someday and feel good that his art had had such a profound impact on someone. Lots of someones.

But then I put writing on the back burner for all sorts of reasons for a really long time, and Chris died in 2017 and now my first book, a different book, is dedicated to his ghost.

On Christmas, I found myself thinking all sorts of sad thoughts about time and regret and how I know it wouldn’t have changed anything if Chris had read a book of mine dedicated to him back in the day but still I wish I’d had a way to convey the magnitude of his art’s impact on me (and on so many other people).

What if I hadn’t put my writing on the back burner for all those years? What if I’d gotten my shit together so much sooner? What if I hadn’t thought there would always be time, always be later, until there wasn’t?

The funny thing is, all the essays in my upcoming collection are from the back burner years. And Moonchild, if I ever do anything with it, will now be dedicated to someone else, someone who was a very important and good friend to me during the year the book focuses on, someone who died in 2023.

Things always change, and mostly I’m at peace with that, but sometimes there are sorrows that need to be spoken. For me, having a book launching soon is bringing up some of those sorrows. I think that’s okay. Grief is weird and nonlinear and yeah, I’ve found myself unspeakably sad lately about a rock star death that happened almost nine years ago.

It doesn’t help with the sadness that I’ve been working on a book playlist and listening to so much Chris Cornell, solo and in all of his bands.

The title of this post comes from the song “Disappearing Act” on Chris’s second solo record, Carry On, and here I give you the music video:

Disappearing Act Video on YouTube

Chrys

Image Description: Picture of Chris Cornell

Music, Pop Culture

The Twenty-First Anniversary of Euphoria Morning

EMTwenty-one years ago today, the twenty-first of September, Chris Cornell’s first solo album Euphoria Morning came out.

Somehow, I sorta knew it even then, in the early days of getting to know the songs, that this album would change my life. It felt epic in a way that you think, at eighteen, albums might not feel epic anymore.

In many posts, especially in recent goals posts, I’ve talked about a book project I’m working on called Moonchild. It takes its name from a song of the same title, track 8, and takes place the year Euphoria Morning came out.

Euphoria Morning has had far-reaching impacts far beyond just that year, though that’s when everything was set in motion. So many things, and people, in my life wouldn’t be the same without EM.

I always thought I’d dedicate Moonchild, if and when I ever get it published, to Chris Cornell. I thought that for years, and since I started working on this book project in 2003, for most of those years I never imagined that he wouldn’t be alive anymore and that the dedication would be to a dead man.

I still think of Euphoria Morning as the album that had the most profound, and the most tangible, impact on my life. Today, on it’s anniversary, I will listen. It’s been different listening to Chris Cornell after his death. Sometimes that’s all I can think about and sometimes it’s like it never happened.

The original title was Euphoria Mourning, and I think that fits too.

And here’s “Moonchild” the song:

The whole album is worth a listen, in full, because as cliche as it is to say this about Chris, no one sings like him anymore.

If you had to only pick a couple to listen to, I’d personally pick, along with “Moonchild” of course, “Sweet Euphoria,” “When I’m Down,” “Follow My Way,” “Disappearing One,” “Steel Rain,” and you know what, just listen to the whole damn thing.

Oh, and you must, and I mean must, listen to “Sunshower” which isn’t on the album but did come out around the same time on the Great Expectations Soundtrack. And Seasons, which was much earlier, on the Singles Soundtrack.

Happy Euphoria Morning release anniversary day!

-Chrys

Notes:

Music, Pop Culture, Writing

My Pop Culture Digest – August 2020

folklore coverIt’s going to be light this month. It’s been a month of a lot of personal emotional turmoil and change, and somehow in that, I haven’t consumed as much pop culture as usual.

The only TV I watched was some Veronica Mars early this month with my good friend, and I haven’t watched any since he moved last week, and some Better Call Saul for recaps for the site.

I tried to watch the Bachelor GOAT episode for Ali’s season because it was one of my favorites (Kasey has to be one of the most memorable characters of all time on that show) but those GOAT episodes are just TOO LONG and I gave up and listened to podcasts about it instead.

Speaking of podcasts, oh podcasts, this month, I think due to sheer emotional exhaustion that’s been going on for months, I just couldn’t with much other than replaying old episodes of Bachelor-related podcasts from old seasons back in the day.

Most of my pop culture consumption this month was in the arenas of music and books. Some are repeats, and some are new.

Continue reading “My Pop Culture Digest – August 2020”

Music, Samples, Writing

When You’re Eighteen with Crippling Writers Block, Music Can Set You Free

EMindexInstead of sitting down to absorb the album, I let it trickle in, play it over and over while I read my astronomy textbook, when I doodle in my journal hoping to come up with story ideas for my creative writing class, when I’m on the phone, when I’m reading books and when Jillian comes over to chill.

One night I sit on my inflatable chair writing away in my journal with half my mind on the page and half with the music. As I try to think up story ideas, a song called “Moonchild” starts, launching me into the ether in its intro. Something about the words, the singing, though I don’t know it by heart yet, makes me feel at all like my old vibrant self, or at least its shadow. By the time I get to the bridge, the song stops me in my tracks, using my foot absentmindedly against my bed to rock my chair. I have the seed of a story idea.

Continue reading “When You’re Eighteen with Crippling Writers Block, Music Can Set You Free”