nonfiction – Chrys Buckley

Resuming my weekly tour through favorite books of 2025 after a bit of a hiatus. I’d love to say the break was just because I was so busy with grad school and book stuff and that was definitely part of it, but I was also in a doomscrolling pit for weeks, because of course I was given all that’s going on.

Today we arrive at my favorite journalistic nonfiction. This category was a tie between two very different books that are both examples of excellent reporting:

Blazing Eye Sees All by Leah Sottile
Catch and Kill by Ronan Farrow

cover of Blazing Eye Sees All by Leah Sottile

Both books mix a bit of first-person narrative into their reporting but keep the book focused on the main story.

Catch and Kill is about Ronan Farrow’s reporting on the Harvey Weinstein story, and it reads like a spy thriller. I never thought a book could be so equally enraging and entertaining. I couldn’t put it down because the writing was so compelling. There are personal asides and anecdotes that add just the right flavor of touching and funny, and there are terrible tales about what powerful men will do to keep their power, and that is by no means limited to Weinstein and his immediate circle.

I don’t think I’ve ever read a book that so deftly manages to be equally enraging and entertaining at the same time.

Blazing Eye Sees All is about the Mother God cult and also about the history of new age cults in America. It will make you sputter how? and why? and what the actual fuck now? It will make you so angry at the people that propagate cults and lies, and it will also make you feel some empathy for how and why people get sucked into this sort of thing. Leah Sottile does such a good job, in all of her work, in threading that needle.

As a bonus, I got to meet Leah Sottile at the Portland Book Festival with a classmate of mine. We went to her pop-up reading, then went to have our books signed and had a nice chat with Leah. I was internally freaking out bc I’ve long been a fan of her work in both podcasts and books, but I think I held it together enough. We talked about cults and writing and the Crime Writers On podcast and tarot cards.

Congratulations to Leah Sottile for her Oregon Book Award nomination for Blazing Eye Sees All!

Blindness and Disability, Music, My Books, Writing

If You Are a Music Fan . . . You Might Like INVISIBLE VIOLETS

February 10, 2026February 13, 2026 Chrys Buckley

a silhouette of a person with hair flying like they're head banging, with music symbols in the background, including treble clefs, bass clefs, sharp symbols, flat symbols, and music notes.

If you know (and everyone you know knows) you talk about music too much . . .

If you ever had the urge to cover a driveway or sidewalk with chalk drawings of band logos, song names, and lyrics . . .

If you credit music for getting you through your toughest times and hardest heartbreaks . . .

If you frequently have the urge to blast music while driving (or while riding in a car if you’re like me and can’t drive) and sing along at the top of your lungs . . .

If you remember your life by what albums you were listening to when and understand your life through lyrics . . .

If you were the kind of kid who answered parental questions about how the latest visit to the doctor’s office went with what songs you heard while in the waiting room . . .

If you love the 60 Songs that Explain the ’90s podcast (now 60 Songs that Explain the ’00s) or would listen to a similar podcast for your specific favorite music decade . . .

. . . then my forthcoming debut book, INVISIBLE VIOLETS: A Mixtape in Lyric Essays is a book for you. It’s a memoir in 7 essays with a few different themes running through its tracks (essays).

One of the strongest themes is disability (see this post about the disability aspect of the book), and as I write in Track 3: The Caduceus and the Muse:

Not all my writing, not even all my more personal writing, addressed albinism or disability, but I was constitutionally incapable of not writing about music.”

Music is all over this book. Obnoxiously so, even. Music was such a saving force in my life when I was young, and I hope my book evokes that particular sense of connecting with music as a teenager and how that resonates and evolves long after adolescence. How music can reach you when you’re an isolated and outcast kid in a way nothing else can reach you. How music can buoy you when you’re in your twenties and finding your way in the world. How music will always be with you, through all the ups and downs of adult life, as your tastes expand over time. I hope I’ve done a decent job of capturing something that feels beyond and before words.

Your particular favorite genres might be different from mine, and I hope that what I’ve written, while deeply specific, speaks to feelings that transcend genre. Still, you might be especially drawn to this book if you are or were a fan of ’90s rock, especially any of the many musical projects of Chris Cornell, to whose memory the book is dedicated. Almost every band that was on the Singles soundtrack is in the book. The artists and genres mentioned lean grunge and heavy and rock, and there’s also modern pop, singer-songwriter girlies across the ages, classic rock, and weirdly mentions of two very different artists doing covers of Joni Mitchell songs.

Again, though, my hope is that even when our specific tastes and faves differ, the feeling of the primacy of music that infuses this book will still resonate with you as you read.

I’m working on book playlists based on musical references and allusions in the book. One is a maximalist version that’s over the top, excessive, and 1.3 days long. The other is an abridged version that I’ve so far only been able to whittle down to 100 songs, which seems long for an abridged version but might have to stand as is. I’m also working on a word cloud of all the music in the book. So those will be incoming at some point before my book launch on March 13th!

Music as a theme is over-the-top, excessively prominent in these essays:
Track 3: The Caduceus and the Muse
Track 5: Can’t Change Me: An Unnatural History of My Names
Track 7: Distant Lights
Acknowledgments

Music as a theme is central in these essays:
Track 4: August is a Burnt Burgundy-Violet Haze
Track 6: Reasonable Doubt

Disability is present but more peripheral in these essays:
Track 1: Invisible Violet: On Seeing and Not Seeing
Track 2: Blue Alchemy

Cover image of Invisible Violets: A Mixtape in Lyric Essays by Chrys Buckley. Words are green against a textured background of different shades of purple. Near the top of the cover, there is an author blurb that reads, "A fierce manifesto about claiming your own story. This book will change you and linger long after the final page." This blurb was written by Tarn Wilson, author of In Praise of Inadequate Gifts.

~~~

For all the book details, check out the INVISIBLE VIOLETS page!

This post is part of a series, published the second Tuesday of every month, where I think about who my book is for.

~Chrys

Image Description: a silhouette of a person with hair flying like they’re head banging, with music symbols in the background, including treble clefs, bass clefs, sharp symbols, flat symbols, and music notes.

Blindness and Disability, My Books, Writing

If You Have a Disability . . . You Might Like INVISIBLE VIOLETS

January 13, 2026February 12, 2026 Chrys Buckley

array of accessibility icons, including wheelchairs, canes, guide dogs, pregnant people, and question marks for less apparent disabilities

Or if you are disabled.

Or if you’re a person with a disability.

Or if you are living with disability.

Or if you experience disability.

Or if you have lived experience of maybe sometimes possibly experiencing this thing in your life that we all must put lots of words in front of to make it as distant as possible that we maybe sometimes possibly in whispered voices refer to as disability.

Okay, I’m obviously getting a bit over the top with that last one (though it does sometimes feel that way). My point, though, is that no matter what language you use, you are welcome here and you might find resonance in my upcoming debut essay collection, INVISIBLE VIOLETS: A Mixtape in Lyric Essays.

I’ve been thinking a lot lately about who my book is for. It’s going to publish in two months, and so my thinking has had to shift more outward now that all the proofing is done and it’s on its way out into the world. (Yay! And eeeeeeeek!)

The most prominent theme running through my book is disability. So, if you are a disabled reader (or any other particular phrasing that feels right to you), this book is for you.

Even though we all experience disability differently (even if we have the same disability), I hope my words will give you that “oh yes” and “she gets me” sense while reading, a sense I’ve experienced while reading authors who have disability in common with me.

I hope my words will give voice to internal and external dynamics in a way that articulates the specific struggles and joys of disabled life in a way that makes you feel seen and understood, as other books have done for me.

I hope reading my book lights a fire under the part of you that wants to write your own story, if you’re so inclined, because there are so few books about disability by disabled people out there and there’s room for so many more, and we need more.

Not every essay in my collection has disability as its central topic. Sometimes it’s a central theme, and other times it isn’t. Because that reflects reality. Sometimes it’s all-consuming, and other times it’s more like background noise.

Disability as a theme is most prominent in these essays:
Track 1: Invisible Violet: On Seeing and Not Seeing
Track 3: The Caduceus and the Muse
Track 5: Can’t Change Me: An Unnatural History of My Names
Track 6: Reasonable Doubt

Disability is present but more peripheral in these essays:
Track 2: Blue Alchemy
Track 4: August is a Burnt Burgundy-Violet Haze

Our experiences won’t be exactly the same. They might even be wildly different. Either way, I hope there are lines and paragraphs and passages and perhaps whole essays that harmonize with your experience and give you that sense of recognition that sometimes comes with reading.

~~~

For all the book details, check out the INVISIBLE VIOLETS page!

~Chrys

Image Description: an array of accessibility icons depicting people in wheelchairs, people using canes, people with guide dogs, pregnant people, people with small children, and some questions marks (which I believe represent less apparent disabilities).

Blindness and Disability, Music, Pop Culture, Science, TV, Writing

INVISIBLE VIOLETS is Available for Pre-Order!

November 19, 2025January 16, 2026 Chrys Buckley

The title says it all.

This whole thing about a book of mine getting publishing still feels so surreal, and yet here’s one more step in the book publishing process that makes it more concrete. My book is up on all the sites, available for pre-order.

This collection of personal lyric essays took eons to write, and eons to edit. It went through so many iterations, and I plan to talk through and demystify the steps of the process on here in time.

For now, just know that I’m so proud of this book and each essay within. There is darkness in these essay-songs, but writing was always a joy. Even when it made me cry, which was almost always, because I’m a sap like that. I can’t wait for you to read this collection on MARCH 13th, 2026!

I’m also starting an email newsletter that you can sign up for here for all the authorly updates!

Links to pre-order INVISIBLE VIOLETS: A Mixtape in Lyric Essays

Signed and Personalized Books for Anywhere in the US through Annie Bloom’s Books

Full Details About Signed Books Here

pre-order signed and personalized copies of Invisible violets

Portland and Pacific Northwest Independent Bookstores

Pre-Order Invisible Violets from Annie Bloom’s Books

Pre-Order Invisible Violets From Powell’s Books

PRe-Oder Invisible Violets From Darvill’s Bookstore
(Orcas Island)

pre-Order Invisible Violets on bookshop.org

Other Booksellers

Pre-Order Invisible Violets From BOOKS-A-Million

Pre-Order Invisible Violets From Barnes & Noble

pre-Order Invisible Violets From Amazon

Blindness and Disability, Music, Writing

COVER REVEAL!

October 21, 2025 Chrys Buckley

The time is here. After rounds of editing, eproofs, print proofs, and another round of proofs, the book is locked in.

I spent all summer going over my book for what felt like a bajillion times. In fact, if I had to read any of it right now, I’d probably run away screaming because I’m SO SICK OF MY BOOK! Good thing there’s a fair amount of time until launch day (March 13th) so it can feel fresh again by then.

In the meantime, now that it’s all locked in, here is the cover:

It’s a typographic cover rather than an image-based one. One thing I’ve learned through this process and my work at Ooligan Press is that covers often look duller in print, and a lot darker. So stay tuned for future reveals. The back cover will be coming soon, and so will an unboxing video when the author copies arrive!

~Chrys

Music, Writing

The Call

April 1, 2025April 6, 2025 Chrys Buckley

In light of the amazing publishing news I posted last month, I want to post about different parts of the process. Mostly, that’ll entail looking back at how I got my manuscript ready for submission, but today I want to talk about the call. It’s important to me to be as transparent as possible, especially for other writers reading this.

I was home sick from work. A bug had been rampaging through my grad program, and it was my turn. So I’d gone to bed early the night before. This was a good thing, because when I woke up, I had an email from Jill McCabe Johnson, the publisher at Wandering Aengus Press, sent the night before, asking if we could find a time for a call so she could ask me something.

After running through about fifty-three thousand possibilities, I settled on suspecting what she wanted to discuss would be something like, “We’d like to publish your book, but…” I couldn’t imagine she wanted to call me just to reject me–I remembered how when I was applying to medical school, a call meant you were getting in, and if they wanted to reject you they’d do it with an email or a notification posted in their online portal–and the need to ask me something wouldn’t likely apply to a straight-up acceptance.

Mostly, I was shocked that they could have an answer for me so quickly. I’d expected to wait until April, at least.

Continue reading →

Blindness and Disability, Music, Pop Culture, Science, Writing

After all the Years that I Stood There on the Sidelines Wishing for Right Now

March 19, 2025November 19, 2025 Chrys Buckley

Sometimes your dreams come true. Your ship finally comes in. You get your turn. This is one of those times for me. I hope this will be the first of many times I get this news. Even if that does come to pass, nothing will ever feel quite like it does right now. I know that, and I’m savoring it, because it still doesn’t feel real.

About a month and a half ago, I did a thing.

Today, I get to tell you that my book manuscript won the Wandering Aengus Press prize for nonfiction, which means MY BOOK IS GETTING PUBLISHED!

We haven’t set an exact release date, but are looking at sometime next spring, perhaps next March.

I’ll have a lot of work to do for my book over the next year. I couldn’t be happier to be working with Wandering Aengus Press and their team. I worked on my manuscript, an essay collection, with their due date in mind and didn’t submit it anywhere else.

The contracts are signed, the process is underway, and most days it still doesn’t feel real. I have waited and worked for this since I was a little girl writing stories in my room.

There’s so much more to say. I plan to post lots about the process as it happens, as well as the process that led to this book and this press. So stay tuned for lots more goodies.

For now, I’m just basking in this once-in-a-lifetime feeling of this writer dreams coming true for the first time.

Chrys

Writing

Point-of-View Poll Results and Story Update

October 28, 2013June 28, 2024 Chrys Buckley

A few months ago, before the start and end of Breaking Bad‘s final season, I wrote a post on here about this really odd story I was conceiving at the time, and asked for some input on point-of-view. I wanted to create a feeling in the reader of almost being too close, too intimate with the two main characters in the story. Usually the way to create that sense of closeness is achieved through using first person, and certainly one approach would be to write from one of the character’s own perspectives, put the reader in her head, in her sensation of the situation being painfully awkward too close for comfort.

But I was a little burnt out on first person and thought there might be other ways to go. When I pictured writing the story in my mind, I saw it as third person, he, she and all that.

Continue reading “Point-of-View Poll Results and Story Update” →